Action Adventure Drama Horror Thriller. Rated R for bloody violence, some grisly images and language. Did you know Edit. As a result of its international success, Darclight Films announced that the film will receive a sequel, however, no further films have yet been produced. Goofs The characters are worried about live electrical wires touching the water, yet to turn it off they flip a switch already underwater. This would mean that the water is already conducting electricity in the first place.
Quotes Jaimie : It's coming back! Crazy credits No sharks were harmed in the making of this movie. User reviews Review. Top review. More than just flesh Some shark movies are laughable, cheesy, and way too far fetched Sharktopus. Some shark movies and horror movies in general can just be unbelievably bad. This Australian film was a pleasant surprise. There wasn't scantily clad girls walking around topless Piranha or cheap thrills. This had some genuine pillow clenches, it had some unpredictability, great acting, and had a location I had not seen before in a shark movie, Australia.
Most importantly it had characters I actually cared about! There is more to this shark flick than just sharp teeth and flesh. Dig your teeth into this film if you are a thriller, horror, shark movie fan.
BreakawayDaily Sep 14, Details Edit. Release date September 20, Australia. Australia Singapore China. Official site Japan Screamworks Records Sweden. Coolangatta, Queensland, Australia. Box office Edit. Technical specs Edit. Runtime 1 hour 33 minutes. Related news. Sep 1 IF. May 27 ScreenDaily. Contribute to this page Suggest an edit or add missing content.
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Learn more. Filmmaker: Does your general process differ between your documentaries and your more fiction-based work?
Jenkin: A lot of my stuff gets labeled as experimental, some gets labeled as documentary, but I see it all as the same thing. The more documentary stuff that I do is often quite staged. In Bait , an example would be a lot of the fishing process. Martin Ellis is an actor in the film but was also the unofficial fishing consultant. I would watch that process, and then film that in the fewest amount of shots, which is quite documentary-like.
Filmmaker: Since the initial idea apparently came 20 years ago, is Bait based on personal experience? Where did the story come from? With Bait , it was about 20 years ago. So I created a premise that was fictional, but something I could hang a lot of true stories off. Filmmaker: Did you envision a specific approach to the framing of faces? Jenkin: As I operate the camera, I want to be close to the actors, and that means closeups.
I shoot everything on a 26mm lens, which is a good portrait lens on a movie camera. I think film language is quite limited. Filmmaker: Could you discuss the approach to sound and dialogue in the film? With sound, there always seems to be issues, so to start with a completely blank slate I find really exciting.
To have a shot of the harbor, watch it silently, then add in a sound of water washing against a wall—suddenly this thing lifts, but then abstracts it a little bit. At the dialogue stage, you take out all background sounds so the dialogue exists in silence. What can I do to get away from that? Jenkin: I think it affects them thinking about it before the shoot more than it does in the actual reality.
I go away, hand-process all the film, get it scanned, do the cut, then get them back in. The eyes never lie. Filmmaker: Speaking of anachronistic resources, why the Bolex H16 camera and hand cranked? Jenkin: I love the reliability of it, the history and legacy. I understand everything that it does.
I know its little foibles, its little idiosyncrasies, and how to work with or work around that, or completely embrace its slightly mad way of working at times. The camera that I was using is exactly same age as me. I love how small the camera kit is.
So, when we talk about film being expensive compared to digital—when it comes to the equipment, the equipment is so cheap, whereas with digital you have to spend a lot of money before it becomes free.
Filmmaker: The democratization of filmmaking is great and welcome, but it can also feel like anyone who does prefer the old shooting methods gets somewhat chastised for expressing those preferences. I do get called a hipster quite a lot, which is weird. I got a camera that was made in I can get that camera serviced and maintained.
For a nearly minute film, we had four-and-a-half hours of footage.
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